{"id":21776,"date":"2025-09-16T15:07:54","date_gmt":"2025-09-16T13:07:54","guid":{"rendered":"https:\/\/videoformes.com\/?page_id=21776"},"modified":"2025-09-16T15:23:21","modified_gmt":"2025-09-16T13:23:21","slug":"involved-artists","status":"publish","type":"page","link":"https:\/\/videoformes.com\/en\/involved-artists\/","title":{"rendered":"Involved artists"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"21776\" class=\"elementor elementor-21776\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-98413b2 e-flex e-con-boxed e-con\" data-id=\"98413b2\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;gradient&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6d113d6 elementor-widget elementor-widget-text-editor\" data-id=\"6d113d6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 20-08-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h3>Call for artist applications for the 2025-2026 academic year<\/h3><p>Are you an artist living in Clermont-Ferrand or the surrounding area, and would you like to help one (or more) class(es) create a hybrid, digital work of art?<\/p><p>You can still submit your application by clicking on the button below.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-07ad252 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"07ad252\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/videoformes.com\/appel-a-projet\/candidatures-eac\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">APPLICATIONS<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e42ad5d e-flex e-con-boxed e-con\" data-id=\"e42ad5d\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2b965e1 elementor-widget elementor-widget-heading\" data-id=\"2b965e1\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 20-08-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">THE artists<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-38f8183 elementor-widget elementor-widget-text-editor\" data-id=\"38f8183\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>for 2024-2025<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a5f67af e-flex e-con-boxed e-con\" data-id=\"a5f67af\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-76a15aa e-con-full e-flex e-con\" data-id=\"76a15aa\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7088332 elementor-widget elementor-widget-text-editor\" data-id=\"7088332\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Ana\u00ebl <span data-sheets-formula-bar-text-style=\"font-size:13px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;\">Alaoui-Fdili<\/span><\/h4><p><a href=\"https:\/\/anael-alaouifdili.hotglue.me\/\" target=\"_blank\" rel=\"noopener\">https:\/\/anael-alaouifdili.hotglue.me\/<\/a><\/p><p>After studying humanities at the University of Caen and the European School of Art in Brittany, I obtained my DNSEP in June at the National School of Art in Bourges. My artistic work explores the boundaries between physical and mental spaces, oscillating between the concrete and the virtual. Through performance, installation, video, and sound, I question geopolitical, ecological, and technological dynamics, drawing on narratives that are both intimate and collective. Influenced by science fiction, digital culture, and popular culture, I seek to reinvent our perception of time, space, and interactions with our environment.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-836b03c e-con-full e-flex e-con\" data-id=\"836b03c\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-dacd47a elementor-widget elementor-widget-image\" data-id=\"dacd47a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 20-08-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"723\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-1024x723.png\" class=\"attachment-large size-large wp-image-18414\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-1024x723.png 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-300x212.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-768x543.png 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-1536x1085.png 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-2048x1447.png 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-106x75.png 106w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/Anael-Alaoui-FDILI-480x339.png 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3d13867 e-flex e-con-boxed e-con\" data-id=\"3d13867\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-d4b1e72 e-con-full e-flex e-con\" data-id=\"d4b1e72\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d4a8783 elementor-widget elementor-widget-text-editor\" data-id=\"d4a8783\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>L\u00e9a Enjalbert<\/h4><p><a href=\"https:\/\/www.leaenjalbert.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.leaenjalbert.com<\/a> \/\/ <a href=\"https:\/\/www.instagram.com\/lea.enjalbert\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.instagram.com\/lea.enjalbert<\/a><\/p><p>Animation film director specializing in cutout animation and stop motion.<\/p><p>With a degree in animated film, I work mainly as a director or set designer\/prop master on stop motion and cutout films. I also develop educational tools for teaching film literacy, lead workshops, mentor students, and train teachers in stop motion animation techniques. In 2021, Florine Paulius and I founded Studio Cabriole.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-971f351 e-con-full e-flex e-con\" data-id=\"971f351\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a1d6ab5 elementor-widget elementor-widget-image\" data-id=\"a1d6ab5\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"574\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-1024x574.png\" class=\"attachment-large size-large wp-image-17209\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-1024x574.png 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-300x168.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-768x430.png 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-1536x861.png 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-2048x1148.png 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-134x75.png 134w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-480x269.png 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-fe4eee7 e-flex e-con-boxed e-con\" data-id=\"fe4eee7\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-fe27b52 elementor-widget elementor-widget-text-editor\" data-id=\"fe27b52\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Th\u00e9o Levillain<\/h4><p><a href=\"https:\/\/www.instagram.com\/theolevillain\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.instagram.com\/theolevillain\/<\/a><\/p><p>My devices seek to bring into existence the relationship between a sensitive and emotional world and electronic and mechanical objects that produce sounds. I work with salvaged, found, abandoned, broken synthesizers, which I transform into a sculptural language in relation to space. I seek out new sounds, playing with them and emphasizing their weakness in an aesthetic reminiscent of electronic DIY projects. I leave the process of creation, repair, and loss of the original function visible.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c27cc4b e-con-full e-flex e-con\" data-id=\"c27cc4b\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-db6a9da e-con-full e-flex e-con\" data-id=\"db6a9da\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7677a50 elementor-widget elementor-widget-image\" data-id=\"7677a50\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/TheoLEVILLAIN.png\" title=\"\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-09f329b e-flex e-con-boxed e-con\" data-id=\"09f329b\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-64ac472 e-con-full e-flex e-con\" data-id=\"64ac472\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3820f83 elementor-widget elementor-widget-text-editor\" data-id=\"3820f83\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Arnaud Simetiere<\/h4><p><a href=\"https:\/\/www.arnaudsimetiere.com\/\" target=\"_blank\" rel=\"noopener\">www.arnaudsimetiere.com<\/a><\/p><p>As head of Musique pour l\u2019Imaginaire, a sound editing and creation studio, I work with independent podcast authors, design audio publications and radio productions, and offer introductory workshops on sound and radio media. In addition, I have been working in the music field for over 20 years as a DJ and composer, under the aliases Switch Groove and Constellationn. With my mastery of contemporary music production techniques, my compositions occupy a space between acoustics and electronics, creating a sensitive and dreamlike universe. Finally, having initially trained in geography, territory and space are fundamental areas of research in my artistic work.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5d707ef e-con-full e-flex e-con\" data-id=\"5d707ef\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cc2a7b6 elementor-widget elementor-widget-image\" data-id=\"cc2a7b6\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"584\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-1024x584.jpg\" class=\"attachment-large size-large wp-image-18014\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-1024x584.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-300x171.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-768x438.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-1536x876.jpg 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-132x75.jpg 132w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-480x274.jpg 480w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere.jpg 1956w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9528165 e-flex e-con-boxed e-con\" data-id=\"9528165\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-2ed793e e-con-full e-flex e-con\" data-id=\"2ed793e\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-07f287e elementor-widget elementor-widget-text-editor\" data-id=\"07f287e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Am\u00e9lie Sounalet<\/h4><p><a href=\"https:\/\/sounaletamelie.wixsite.com\/website\" target=\"_blank\" rel=\"noopener\">https:\/\/sounaletamelie.wixsite.com\/website<\/a><\/p><p>Am\u00e9lie Sounalet&#8217;s work begins with a sensitive exploration of the places she visits, then draws on a historical approach. Wondering who the users are and how they use the spaces, she analyzes forms, materials, and objects, searching for traces of presence and senseless behaviors. She then plays with all the information she has gathered to offer new interpretations of these spaces, each one grafted onto the exhibition context. Here, the context is the banks of the Durolle, where grinders worked with their wives until they were six months pregnant, and a floor of the Usine du May, now a meeting room evoking the modern company. This gave rise to the idea of a Plexiglas sculpture adapting the curves of a grinder&#8217;s board to those of a pregnant woman. Entitled Chrysoprase, a stone \u201cideal for facilitating a smooth delivery\u201d and literally \u201cgolden leek,\u201d it ironically refers to the positive virtues of the alienating work tool as well as to the pretentious phallocrat that its promoter inevitably is! Anachronistic but functional, as evidenced by a pre-commercial demonstration video, this piece is both darkly humorous and politically engaged, denouncing the abuse of the body in the world of work, particularly that of women. Its industrial production, mechanical and dehumanized movements, and the nudity of the character in the video contribute to the feeling of horror.<\/p><p>&#8211; Aur\u00e9lie Barnier<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e61587c e-con-full e-flex e-con\" data-id=\"e61587c\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-adc682d elementor-widget elementor-widget-image\" data-id=\"adc682d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"216\" height=\"395\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet.png\" class=\"attachment-large size-large wp-image-17219\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet.png 216w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet-164x300.png 164w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet-41x75.png 41w\" sizes=\"(max-width:767px) 216px, 216px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5fb9c47 e-flex e-con-boxed e-con\" data-id=\"5fb9c47\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-5c71240 e-con-full e-flex e-con\" data-id=\"5c71240\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3d477d7 elementor-widget elementor-widget-text-editor\" data-id=\"3d477d7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Nino Spanu<\/h4><p><a href=\"https:\/\/lesateliers.eu\/media\/pages\/artistes\/95747b56e4-1702397889\/nino_spanu.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/lesateliers.eu\/media\/pages\/artistes\/95747b56e4-1702397889\/nino_spanu.pdf<\/a><\/p><p>Nino Spanu implements various research and investigation protocols around issues of impermanence, traces, and identity. The practice of reconstruction plays a central role in this, in that it allows us to represent the regulatory and bureaucratic mechanisms that inform our lives as administered subjects, while raising the question of writing reality as fiction. Technology, as a tool for understanding and transcribing life, is also featured. It highlights the absurdity of informational obsolescence and the perpetual failure of the human temptation to organize reality through cataloging or taxonomy. From staging to mise en ab\u00eeme, Nino Spanu produces an intertextuality on the devices in which we live.<\/p><p>-Thomas Conchou.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d5f4a00 e-con-full e-flex e-con\" data-id=\"d5f4a00\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d4e70b4 elementor-widget elementor-widget-image\" data-id=\"d4e70b4\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"771\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-1024x771.jpg\" class=\"attachment-large size-large wp-image-18418\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-1024x771.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-300x226.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-768x578.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-1536x1157.jpg 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-2048x1542.jpg 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-100x75.jpg 100w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-480x361.jpg 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5b204cb e-flex e-con-boxed e-con\" data-id=\"5b204cb\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-1b17c39 e-con-full e-flex e-con\" data-id=\"1b17c39\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-26643d2 elementor-widget elementor-widget-text-editor\" data-id=\"26643d2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Fr\u00e9d\u00e9ric Storup<\/h4><p>\u00a0<a href=\"https:\/\/www.esacm.fr\/diplome\/frederic-storup\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.esacm.fr\/diplome\/frederic-storup\/<\/a><\/p><p>Fr\u00e9d\u00e9ric Storup enjoys building mechanisms and systems that sometimes self-destruct or are just one detail in a larger chain reaction. He plays with tangible and empirical phenomena such as balance, tides, Archimedes&#8217; principle, etc. From module to module, like neural connections, information moves like a snowball. These pieces swarm and evolve, creating new meaning with each activation, drawing inspiration from both mechanical systems and living organisms. He invites us to experience absurd, futile, and funny situations that emanate from the attention he pays to the construction of each gear.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b0b83ff e-con-full e-flex e-con\" data-id=\"b0b83ff\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ed50227 elementor-widget elementor-widget-image\" data-id=\"ed50227\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"414\" height=\"279\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup.png\" class=\"attachment-large size-large wp-image-17221\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup.png 414w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup-300x202.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup-111x75.png 111w\" sizes=\"(max-width:767px) 414px, 414px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-76487de e-flex e-con-boxed e-con\" data-id=\"76487de\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-8472f42 e-con-full e-flex e-con\" data-id=\"8472f42\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-15544c6 elementor-widget elementor-widget-text-editor\" data-id=\"15544c6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Jeremy Tate<\/h4><p><a href=\"https:\/\/www.youtube.com\/channel\/UC8MvCS20P5w2PVZMO1mqAZQ\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/channel\/UC8MvCS20P5w2PVZMO1mqAZQ<\/a><\/p><p>A member of the Parisian association Braquage, since 2014 he has been running various film and photography workshops (optical illusions, magic lantern, drawing and scratching on film, rayograms, cyanotypes, etc.). Alongside this activity, under the pseudonym jAROD Unofisal, he has developed a video practice that combines found footage and structural cinema. His questioning of digital material has led him to use various techniques such as datamoshing, file compression, databending, data recovery, and video game alteration. Nourished by posts on 9gag and other weird zones of YouTube, he questions the notion of spectacle and celebrates a joyful apocalypse with unapologetic nihilism that is not without humor. Naive and highly referential, he attempts the great divide between the depths of the virtual Ganges and the high ambitions of experimental cinema. Let&#8217;s hope he doesn&#8217;t hurt himself too badly&#8230;<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-837a3ea e-con-full e-flex e-con\" data-id=\"837a3ea\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a7309a5 elementor-widget elementor-widget-image\" data-id=\"a7309a5\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"575\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-1024x575.jpg\" class=\"attachment-large size-large wp-image-17214\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-1024x575.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-768x431.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-134x75.jpg 134w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-1200x675.jpg 1200w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-480x270.jpg 480w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7.jpg 1280w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-de11e25 e-flex e-con-boxed e-con\" data-id=\"de11e25\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-28884a4 elementor-widget elementor-widget-text-editor\" data-id=\"28884a4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h3>The artists who participated&#8230;<\/h3><p><strong>Previous years<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0dbbd72 e-flex e-con-boxed e-con\" data-id=\"0dbbd72\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-def1fd0 elementor-widget elementor-widget-mfn_accordion\" data-id=\"def1fd0\" data-element_type=\"widget\" data-widget_type=\"mfn_accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"accordion\"><div class=\"mfn-acc accordion_wrapper \"><div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Isabelle ARVERS<\/div><div class=\"answer\"><div><div id=\"cc-m-textwithimage-14696068624\" class=\"cc-m-textwithimage-inline-rte\" data-name=\"text\" data-action=\"text\"><h4>Isabelle Arvers<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-18008 size-full\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers.jpg\" alt=\"\" width=\"1200\" height=\"675\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers.jpg 1200w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers-1024x576.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers-768x432.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers-133x75.jpg 133w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Arvers-480x270.jpg 480w\" sizes=\"(max-width:767px) 480px, (max-width:1200px) 100vw, 1200px\" \/><\/p><p><a title=\"http:\/\/www.isabellearvers.com\/\" href=\"http:\/\/www.isabellearvers.com\/%20\" target=\"_blank\" rel=\"noopener\">http:\/\/www.isabellearvers.com\/\u00a0<\/a><\/p><p>Artiste et commissaire d\u2019exposition.<\/p><p>Sp\u00e9cialis\u00e9e dans les relations entre l\u2019art et les jeux vid\u00e9o, Isabelle ARVERS axe ses cr\u00e9ations multim\u00e9dia, ses performances, ses conf\u00e9rences, les ateliers qu\u2019elle anime autour de cet \u00ab art total \u00bb virtuel et interactif. Elle s\u2019est int\u00e9ress\u00e9e aux jeux vid\u00e9os et au game art \u00e0 la fin des ann\u00e9es 90 (tout d\u2019abord avec les cd-rom interactifs), lorsqu\u2019elle a pressenti qu\u2019ils allaient faire partie de la culture des futures g\u00e9n\u00e9rations, qu\u2019ils allaient in\u00e9vitablement \u00eatre un nouveau moyen de \u00ab fa\u00e7onner leur imaginaire \u00bb. De m\u00eame qu\u2019elle fut une des premi\u00e8res en France \u00e0 introduire l\u2019univers des jeux informatiques dans le monde de l\u2019art, par l\u2019organisation de nombreuses expositions \u00e0 travers le monde, elle s\u2019emploie \u00e9galement \u00e0 d\u00e9mocratiser l\u2019approche des univers virtuels. Depuis 2009, elle initie les publics divers et vari\u00e9s \u00e0 la r\u00e9alisation de machinimas (\u00ab films con\u00e7us \u00e0 l\u2019int\u00e9rieur de mondes virtuels \u00e0 l\u2019aide de moteurs 3D temps r\u00e9el ou de jeux vid\u00e9o \u00bb) afin qu\u2019ils reconsid\u00e8rent le jeux vid\u00e9o et son usage non plus comme un produit de consommation de masse promu par une industrie qui d\u00e9finit ses codes esth\u00e9tiques et \u00e9thiques mais qu\u2019ils s\u2019emparent de cet outil vid\u00e9oludique comme un m\u00e9dium \u00e0 ma\u00eetriser, comme un nouveau langage, comme un art \u00e0 multiples points de vue. En 2012, Isabelle ARVERS con\u00e7oit son premier machinima, production personnelle o\u00f9 elle privil\u00e9gie une posture d\u2019artiste et non plus de commissaire d\u2019exposition ou de m\u00e9diatrice.<\/p><p>\u00ab <em>En utilisant les espaces virtuels et en changeant la perspective comme strat\u00e9gie artistique, les machinimas permettent une distance critique vis \u00e0 vis d\u2019un monde simul\u00e9. Ils tendent \u00e0 \u00e9radiquer les fronti\u00e8res entre r\u00e9alit\u00e9 et fiction et red\u00e9finissent les contours du pouvoir transgressif des jeux vid\u00e9o. \u201cL\u00e0 o\u00f9 le monde r\u00e9el se change en simples images, les simples images deviennent des \u00eatres r\u00e9els, et les motivations efficientes d\u2019un comportement hypnotique.\u201d (Guy Debord, La Soci\u00e9t\u00e9 du spectacle, Paris, 1967). Ils r\u00e9actualisent la conception situationniste du cin\u00e9ma dans laquelle, les images, les voix, les dialogues ou les interviews agissent comme diff\u00e9rentes couches de sens.<\/em> \u00bb Isabelle Arvers (2009)<\/p><\/div><\/div><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Christophe BEDROSSIAN<\/div><div class=\"answer\"><div id=\"cc-m-14662749224\" class=\"j-module n j-header \"><h4 id=\"cc-m-header-14662749224\">Christophe B\u00e9drossian<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-18018 size-full\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Sans-titre-2.png\" alt=\"\" width=\"1181\" height=\"657\" \/><\/p><\/div><div id=\"cc-m-14662747824\" class=\"j-module n j-textWithImage \"><div><div id=\"cc-m-textwithimage-14662747824\" class=\"cc-m-textwithimage-inline-rte\" data-name=\"text\" data-action=\"text\"><p><a title=\"https:\/\/www.facebook.com\/TVRegain\/\" href=\"https:\/\/www.facebook.com\/TVRegain\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.facebook.com\/TVRegain\/<\/a><\/p><p><strong>Vid\u00e9aste et formateur vid\u00e9o, animateur radio et cr\u00e9ateur de Web TV.<\/strong><\/p><p>La culture est pour Christophe B\u00e9drossian un savoir qui ne s'impose pas mais qui se vit et se construit au sein d'un groupe d'individus \u00e0 \u00e9chelle locale. Chacun peut l'enrichir en partageant sa propre exp\u00e9rience. La vid\u00e9o devient alors un moyen de provoquer des rencontres interg\u00e9n\u00e9rationnelles. On apprend \u00e0 se conna\u00eetre soi-m\u00eame au contact des plus anciens comme des plus jeunes, qui nous livrent des scenarii possibles de cette Histoire qui a \u00e9t\u00e9, et de celle qui pourrait advenir.<\/p><p>\u00ab <em>Christophe B\u00e9drossian travaille sur la collecte de m\u00e9moire depuis un certain nombre d\u2019ann\u00e9es. La m\u00e9moire est envisag\u00e9e comme un mat\u00e9riau. M\u00e9moire des mots, m\u00e9moire du corps. R\u00e9investir ces morceaux du pass\u00e9 pour tenter de leur donner une r\u00e9sonance contemporaine en les mettant en sc\u00e8ne au travers d\u2019une installation ou d\u2019un spectacle.<\/em> \u00bb En vid\u00e9o comme en performance, la r\u00e9p\u00e9tition d'un geste, d'une r\u00e9plique, d'une pause jusqu'\u00e0 les rendre abstraits permet, aux acteurs et aux spectateurs des projets propos\u00e9s par Christophe B\u00e9drossian, de mener une r\u00e9flexion sur leur signification et la place qu'ils ont dans le flux continu de la vie.<\/p><p>En ce moment Christophe B\u00e9drossian a travaill\u00e9 autour du mapping (habillage de surface). Les plexiglas et miroirs (d\u00e9multiplication de l\u2019image, reflets au sol ou au plafond) utilis\u00e9s pour les installations ou performances entrent dans cette d\u00e9marche de recherche particuli\u00e8re autour des mouvements des corps.<\/p><\/div><\/div><\/div><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>David BLASCO<\/div><div class=\"answer\"><h4>David Blasco<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-18020 size-full\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image.jpg\" alt=\"\" width=\"397\" height=\"265\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image.jpg 397w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image-300x200.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image-112x75.jpg 112w\" sizes=\"(max-width:767px) 397px, 397px\" \/><\/p><p><a title=\"http:\/\/www.davidblasco.com\" href=\"http:\/\/www.davidblasco.com\" target=\"_blank\" rel=\"noopener\">www.davidblasco.com<\/a>\u00a0<\/p><p>\u00a0<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Vincent BLESBOIS<\/div><div class=\"answer\"><h4>Vincent Blesbois<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18022 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/blesbois.jpg\" alt=\"\" width=\"397\" height=\"223\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/blesbois.jpg 397w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/blesbois-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/blesbois-134x75.jpg 134w\" sizes=\"(max-width:767px) 397px, 397px\" \/><\/p><p>\u00a0<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>L\u00e9a BOUTTIER<\/div><div class=\"answer\"><h4>L\u00e9a BOUTTIER<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18079 size-large aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-1024x574.png\" alt=\"\" width=\"1024\" height=\"574\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-1024x574.png 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-300x168.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-768x431.png 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-1536x861.png 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-2048x1148.png 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-134x75.png 134w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/Lea-BOUTTIET-480x269.png 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/><\/p><p><a href=\"https:\/\/www.leabouttier.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.leabouttier.com\/<\/a><\/p><p>\u00a0<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Marie-Sylviane BUZIN<\/div><div class=\"answer\"><h4>Marie-Sylviane Buzin<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18024 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image.png\" alt=\"\" width=\"397\" height=\"248\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image.png 397w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image-300x187.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/image-120x75.png 120w\" sizes=\"(max-width:767px) 397px, 397px\" \/><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Michel COSTE<\/div><div class=\"answer\"><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Isabelle DEHAY<\/div><div class=\"answer\"><h4>Isabelle Dehay<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18026 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/dehay.jpg\" alt=\"\" width=\"397\" height=\"242\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/dehay.jpg 397w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/dehay-300x183.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/dehay-123x75.jpg 123w\" sizes=\"(max-width:767px) 397px, 397px\" \/><\/p><p><a href=\"https:\/\/www.reseaux-artistes.fr\/dossiers\/isabelle-dehay\/#travaux\" target=\"_blank\" rel=\"noopener\">https:\/\/www.reseaux-artistes.fr\/dossiers\/isabelle-dehay\/#travaux<\/a><\/p><p>\u00a0<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Cl\u00e9mence DEMESME<\/div><div class=\"answer\"><h4>Cl\u00e9mence Demesme<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18031\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/demesme-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/demesme-300x225.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/demesme-100x75.jpg 100w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/demesme.jpg 320w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><a href=\"https:\/\/clemencedemesme.fr\/\" target=\"_blank\" rel=\"noopener\">https:\/\/clemencedemesme.fr\/<\/a><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Loiez DENIEL<\/div><div class=\"answer\"><h4>Loiez Deniel<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18033 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/deniel.jpg\" alt=\"\" width=\"451\" height=\"301\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/deniel.jpg 451w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/deniel-300x200.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/deniel-112x75.jpg 112w\" sizes=\"(max-width:767px) 451px, 451px\" \/><\/p><p class=\"p1\"><a title=\"www.loiez.org\" href=\"http:\/\/www.loiez.org\" target=\"_blank\" rel=\"noopener\">www.loiez.org<\/a><\/p><p>Po\u00e8te voyageur, chercheur ind\u00e9pendant en solutions d'int\u00e9gration multim\u00e9dia et en po\u00e9sie op\u00e9rationnelle, enseignant.<\/p><p>Bien qu'il ait une approche documentaire de la photographie, qu'il pr\u00e9f\u00e8re en noir et blanc ou d\u00e9satur\u00e9e, Loiez Deniel travaille toujours \u00e0 la lisi\u00e8re entre le t\u00e9moignage objectif d'un journaliste et le regard subjectif de l'artiste. L'artiste dit \u00ab chercher la fracture, la po\u00e9sie, l'histoire courte tout autant que l'esth\u00e9tique ou la g\u00e9om\u00e9trie \u00bb. C'est pour cela que ses\u00a0prises de vue semblent flirter avec le hors-champ,\u00a0l'extra di\u00e9g\u00e9tique, ce que \u00ab l'on ne voit jamais si l'on\u00a0ne fait pas un jour, un pas de c\u00f4t\u00e9 \u00bb.\u00a0Tr\u00e8s attach\u00e9 au concept situationniste de d\u00e9rive,\u00a0pratiqu\u00e9 et th\u00e9oris\u00e9 par Guy Debord, Loiez Deniel parcourt le monde sans autre dessein que celui de capturer des\u00a0instants anodins et les m\u00e9tamorphoser en miettes de vie cristallis\u00e9es. N\u00e9anmoins, le moindre \u00e9v\u00e9nement photographi\u00e9\u00a0est une occasion pour nous livrer un portrait des plus intimes de ceux qui figurent sur le clich\u00e9, et ce, qu'ils fassent partie\u00a0ou non des proches de l'artiste.<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Anne-Sophie EMARD<\/div><div class=\"answer\"><h4>Anne-Sophie Emard<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18035 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard.png\" alt=\"\" width=\"440\" height=\"389\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard.png 440w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard-300x265.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard-85x75.png 85w\" sizes=\"(max-width:767px) 440px, 440px\" \/><\/p><p class=\"p1\"><a title=\"www.annesophieemard.com\" href=\"http:\/\/www.annesophieemard.com\" target=\"_blank\" rel=\"noopener\">www.annesophieemard.com<\/a><\/p><p>Photographe, vid\u00e9aste et sc\u00e9nographe.<\/p><p>Anne Sophie \u00c9mard compose dans son OEuvre, une\u00a0synth\u00e8se fine et subtile d'\u00e9l\u00e9ments emprunt\u00e9s aux\u00a0univers du cin\u00e9ma et de la peinture. Par collage,<\/p><p>superposition ou juxtaposition de photographies ou\u00a0de vid\u00e9os, mais aussi avec les proc\u00e9d\u00e9s du mapping et\u00a0du morphing, elle m\u00eale ses propres images avec celles\u00a0des autres, r\u00e9ajuste, jusqu'\u00e0 obtenir une image\u00a0autonome, v\u00e9hiculant une certaine \u00e9tranget\u00e9. La\u00a0contamination s\u00e9mantique d'une image mise en\u00a0pr\u00e9sence d'une autre cr\u00e9e un sens nouveau, une\u00a0\u00e9bauche de narration que l'artiste ne cherche pas \u00e0\u00a0ma\u00eetriser ou \u00e0 cerner.<\/p><p>Dans ses derni\u00e8res s\u00e9ries de photographies, en\u00a0associant des fragments de stars du cin\u00e9ma \u00e0 ses paysages ou en leur attribuant les noms de protagonistes issus de films\u00a0c\u00e9l\u00e8bres, elle renverse les codes de l'art classique et cherche \u00e0 faire de la nature un personnage, du d\u00e9cor un portrait.<\/p><p>\u00ab <em>Ce que me semble chercher, avec une obstination l\u00e9g\u00e8re, une certitude douce, Anne-Sophie \u00c9mard, c'est \u00e0 mettre \u00e0 jour\u00a0le fonctionnement de la pens\u00e9e et, ce faisant, la compr\u00e9hension du monde. Dans les propositions d'Anne-Sophie \u00c9mard,\u00a0et elle le dit elle-m\u00eame, \u00ab on regarde autre chose que ce que l'on voit \u00bb, et si l\u2019artiste met souvent en rapport deux\u00a0images, ce n'est pas pour que l'on \u00ab voit \u00bb ces deux images, mais pour que l'on en voit une autre, pas une troisi\u00e8me, une\u00a0autre, une image-construction, une image-pens\u00e9e.<\/em> \u00bb<\/p><p>Arnaud LAPORTE, producteur \u00e0 France Culture, Une douce certitude<\/p><p>Extrait du catalogue d\u2019Anne-Sophie \u00c9mard, le sourire des glaciers (Un, Deux\u2026 Quatre, \u00c9ditions, 2006)<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Justine EMARD<\/div><div class=\"answer\"><h4>Justine Emard<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18041 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard2.jpg\" alt=\"\" width=\"1024\" height=\"569\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard2.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard2-300x167.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard2-768x427.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard2-135x75.jpg 135w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/emard2-480x267.jpg 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/><\/p><p><a href=\"http:\/\/justineemard.com\/\" target=\"_blank\" rel=\"noopener\">justineemard.com<\/a><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>L\u00e9a ENJALBERT<\/div><div class=\"answer\"><h4>L\u00e9a Enjalbert<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-17208 size-large\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-1024x574.png\" alt=\"\" width=\"1024\" height=\"574\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-1024x574.png 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-300x168.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-768x430.png 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-1536x861.png 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-2048x1148.png 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-134x75.png 134w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/lea-enjalbert-480x269.png 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/><\/p><p><a href=\"https:\/\/www.leaenjalbert.com\/\">https:\/\/www.leaenjalbert.com<\/a> \/\/ <a href=\"https:\/\/www.instagram.com\/lea.enjalbert\/\">https:\/\/www.instagram.com\/lea.enjalbert<\/a><\/p><p>R\u00e9alisatrice de films d'animation sp\u00e9cialis\u00e9e en animation en papier d\u00e9coup\u00e9 et stop motion.<\/p><p>Dipl\u00f4m\u00e9e en cin\u00e9ma d'animation, je travaille principalement en tant que r\u00e9alisatrice o\u00f9 d\u00e9coratrice\/accessoiriste sur des films en volume o\u00f9 en papier d\u00e9coup\u00e9. Je d\u00e9veloppe \u00e9galement des outils p\u00e9dagogiques d'\u00e9ducation \u00e0 l'image, anime des ateliers, encadre des \u00e9tudiants et forme des enseignants sur la pratique de l'animation en volume. Avec Florine Paulius nous avons cr\u00e9\u00e9 en 2021 le Studio Cabriole.<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Alice FARGIER<\/div><div class=\"answer\"><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Christelle GUILLET<\/div><div class=\"answer\"><h4>Christelle Guillet<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18044 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/guillet.jpg\" alt=\"\" width=\"435\" height=\"342\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/guillet.jpg 435w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/guillet-300x236.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/guillet-95x75.jpg 95w\" sizes=\"(max-width:767px) 435px, 435px\" \/><\/p><p><a title=\"http:\/\/christelleguillet.com\/\" href=\"http:\/\/christelleguillet.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/christelleguillet.com\/\u00a0<\/a><\/p><p>Artiste plasticienne, historienne de l\u2019art, musicienne, p\u00e9dagogue, etc. ......<\/p><p>Christelle GUILLET a de nombreux objets d\u2019\u00e9tudes qu\u2019elle tisse avec son \u00ab savoir \u00bb et le \u00ab faire \u00bb.\u00a0<\/p><p>Sp\u00e9cialiste de l\u2019art de la Renaissance et du 17e si\u00e8cle, elle puise dans l\u2019histoire de l\u2019art la l\u00e9gitimit\u00e9 expressive de sa pratique artistique. Elle d\u00e9veloppe notamment des \u00e9tudes sur la posture du corps dans un espace cadr\u00e9, au moyen de diff\u00e9rents types d\u2019image et de pratiques (peinture, dessin, photographie, vid\u00e9o...).\u00a0<\/p><p>Elle ne s\u2019attache pas \u00e0 la technique, ni au m\u00e9dium \u00e0 proprement parler, mais pr\u00e9f\u00e8re employer le terme de m\u00e9thode. Pour elle, chacun doit avoir le choix d\u2019utiliser les outils qu\u2019il juge les plus adapt\u00e9s pour parvenir \u00e0 l\u2019expression juste de son id\u00e9e.\u00a0<\/p><p>Elle aborde actuellement la vid\u00e9o et sa temporalit\u00e9 par un questionnement issu de sa propre pratique musicale et transpos\u00e9 dans les arts plastiques. Violoniste de formation classique, elle a plong\u00e9 dans les musiques traditionnelles irlandaise, klezmer, kurde, iranienne, etc., les a d\u00e9cortiqu\u00e9es, et en a extrait des notions \u00e9loign\u00e9es de la culture occidentale (le silence, la disharmonie). Avec ces notions, elle b\u00e2tit une philosophe d\u00e9sireuse de nous faire ressentir un innommable instant de gr\u00e2ce, un insaisissable plaisir intime.<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Cl\u00e9mentine LEMAITRE<\/div><div class=\"answer\"><h4>Cl\u00e9mentine Lema\u00eetre<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-18046 size-full\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/lemaitre.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/lemaitre.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/lemaitre-100x75.jpg 100w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><strong>Cl\u00e9mentine Lema\u00eetre<\/strong>\u00a0est n\u00e9e \u00e0 Al\u00e8s dans le Gard en 1986. En 2004, elle entre \u00e0 l\u2019\u00c9cole Sup\u00e9rieure des Arts D\u00e9coratifs de Strasbourg et tr\u00e8s vite, elle se captive pour l\u2019image en mouvement (art vid\u00e9o, danse, performance). Un terrain de jeu vaste et in\u00e9puisable que l\u2019artiste exp\u00e9rimente et combine depuis dans sa pratique. En 2009 elle obtient le dipl\u00f4me national sup\u00e9rieur d\u2019expression plastique ainsi que le prix Ritleng de la ville de Strasbourg. En 2010, elle rejoint l\u2019\u00e9quipe de Vid\u00e9oformes \u00e0 Clermont-Ferrand pour une r\u00e9sidence artistique d\u2019un an o\u00f9 elle r\u00e9alise l\u2019installation vid\u00e9o La chambre l\u2019iceberg. Depuis, elle vit \u00e0 Clermont-Ferrand o\u00f9 elle anime des ateliers vid\u00e9o pour le jeune public et poursuit ses recherches artistiques.<\/p><p>\u00a0<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Jos\u00e9 MAN LIUS<\/div><div class=\"answer\"><h4>Jos\u00e9 Man Lius<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18048\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/manlius-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/manlius-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/manlius-133x75.jpg 133w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/manlius.jpg 397w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><a href=\"http:\/\/josemanlius.com\/\" target=\"_blank\" rel=\"noopener\">josemanlius.com<\/a><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Nelly GIRARDEAU<\/div><div class=\"answer\"><h4>Nelly Girardeau<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18051\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/girardeau-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/girardeau-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/girardeau-134x75.jpg 134w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/girardeau.jpg 397w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><a href=\"https:\/\/vimeo.com\/user18192708\" target=\"_blank\" rel=\"noopener\">https:\/\/vimeo.com\/user18192708<\/a><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Emmy OLS<\/div><div class=\"answer\"><h4>Emmy Ols<\/h4><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>C\u00e9cile QUINTIN<\/div><div class=\"answer\"><h4>C\u00e9cile Quintin<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18053 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/quintin.jpg\" alt=\"\" width=\"449\" height=\"299\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/quintin.jpg 449w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/quintin-300x200.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/quintin-113x75.jpg 113w\" sizes=\"(max-width:767px) 449px, 449px\" \/><\/p><p><strong>Artiste photographe... se dit aussi \"Photiste Artographe\" avec humour.<\/strong><\/p><p>Au fil de ses voyages ici et ailleurs, les clich\u00e9s pris sont l\u2019expression d\u2019une r\u00e9alit\u00e9 transcend\u00e9e. Le regard se porte principalement sur des formes inorganiques et architecturales du milieu urbain en mutation.<\/p><p>\u00ab <em>Peintre de formation, le graphisme et la composition ont souvent pris le pas sur mon travail de coloriste. J'aime repr\u00e9senter selon un point de vue frontal les sujets qui me \"tape \u00e0 l'oeil\" sans artifice ni montage. Je me suis passionn\u00e9e pour l'art photographique suite \u00e0 de nombreuses rencontres avec des professionnels de l'image. Je travaille avec du mat\u00e9riel argentique : Leica, Rolleiflex, Yashica et Hasselblad. Rien ne m'emp\u00eache d'utiliser \u00e9galement l'appareil num\u00e9rique Nikon... Mes images focalisent la lumi\u00e8re et ce sont surtout les objets et les volumes graphiques qui sont au c\u0153ur de mes pr\u00e9occupations. J\u2019aime le contraste et la prolongation d\u2019une r\u00e9flexion po\u00e9tique voire philosophique, dans les choses que j\u2019immortalise. Lors de mes p\u00e9r\u00e9grinations en France et \u00e0 l\u2019\u00e9tranger, je trouve un \u00e9cho aux \u00e9motions\/sensations; les \u00e9vidences que je vis sont alors m\u00e9moris\u00e9es puis expos\u00e9es.<\/em> \u00bb<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Catherine RADOSA<\/div><div class=\"answer\"><h4>Catherine Radosa<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18057 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/radosa.jpg\" alt=\"\" width=\"397\" height=\"223\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/radosa.jpg 397w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/radosa-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/radosa-134x75.jpg 134w\" sizes=\"(max-width:767px) 397px, 397px\" \/><\/p><p>http:\/\/catherineradosa.net\/<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>V\u00e9ronique RIZZO<\/div><div class=\"answer\"><h4>V\u00e9ronique Rizzo<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18059\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rizzo-300x221.jpg\" alt=\"\" width=\"300\" height=\"221\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rizzo-300x221.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rizzo-102x75.jpg 102w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rizzo.jpg 438w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p class=\"p1\"><a title=\"www.documentsdartistes.org\/artistes\/rizzo\" href=\"http:\/\/www.documentsdartistes.org\/artistes\/rizzo\" target=\"_blank\" rel=\"noopener\">www.documentsdartistes.org\/artistes\/rizzo<\/a><\/p><p>Artiste plasticienne et vid\u00e9aste.<\/p><p>\u00ab <em>L\u2019abstraction de V\u00e9ronique Rizzo rentre en dialogue avec les\u00a0avant-gardes historiques, des constructivistes russes jusqu\u2019\u00e0 l\u2019op\u00a0art, en passant par l\u2019art concret ou le Bauhaus, tout en\u00a0red\u00e9finissant, contredisant ou amplifiant ces fondements\u00a0th\u00e9oriques. Son travail ne fonctionne pas sur un principe\u00a0d\u2019opposition entre la rationalit\u00e9 moderniste et les pulsions, le\u00a0romantisme d\u00e9brid\u00e9 ou la sensualit\u00e9 tropicale des motifs. Il\u00a0n\u2019oppose pas non plus les formes pures et autonomes de\u00a0l\u2019abstraction et des motifs issus de la culture populaire (g\u00e9n\u00e9riques\u00a0d\u2019\u00e9missions de t\u00e9l\u00e9vision ou de films des ann\u00e9es 1960-70, BD,\u00a0science-fiction, cultures urbaines, musiques \u00e9lectroniques,\u00a0psych\u00e9d\u00e9lisme), mais porte un regard critique sur l\u2019impuret\u00e9 des\u00a0formes supr\u00e9matistes de fait que les formes cin\u00e9tiques ont \u00e9t\u00e9\u00a0rattrap\u00e9es par l\u2019industrie de la \u00a0communication de masse, le\u00a0graphisme et le design. Son travail est une affirmation intense de la\u00a0puissance \u00e9motionnelle de l\u2019abstraction.<\/em> \u00bb Pedro Morais.<\/p><p>Dreamers, le dernier projet de V\u00e9ronique Rizzo est une installation vid\u00e9o sur deux \u00e9crans accompagn\u00e9e de son. A son\u00a0propos, Camille Videcocq \u00e9crit : \u00ab <em>La peinture et la vid\u00e9o, en particulier trouvent un espace commun dans l'exp\u00e9rience\u00a0que nous avons d'une oeuvre en un lieu et un instant donn\u00e9, mais tout aussi bien ces images qui nous habitent et nous\u00a0interpellent quotidiennement, et comme celles qui hantent notre m\u00e9moire. Dreamers fonctionne sur le mode de\u00a0l'inspiration et de la r\u00e9f\u00e9rence, dans le sillage du cut-up process invent\u00e9 par Bryon Gysin, po\u00e8te et artiste de la beat\u00a0g\u00e9n\u00e9ration, inventeur de la Dream machine, et son complice William Burroughs. V\u00e9ronique Rizzo sample dans cette\u00a0oeuvre, aussi bien les mots, les motifs que les images film\u00e9es. Cette superposition syncr\u00e9tique renvoie \u00e0 la saturation\u00a0d'images et slogans qui traversent l'espace m\u00e9diatique contemporain tout en \u00e9voquant de mani\u00e8re assum\u00e9e une\u00a0esth\u00e9tique de film exp\u00e9rimental aux accents sulfureux.<\/em> \u00bb<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Anne Marie ROGNON<\/div><div class=\"answer\"><h4>Anne Marie Rognon<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18061 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rognon.png\" alt=\"\" width=\"460\" height=\"288\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rognon.png 460w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rognon-300x188.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/rognon-120x75.png 120w\" sizes=\"(max-width:767px) 460px, 460px\" \/><\/p><p><a title=\"www.annemarierognon.com\" href=\"http:\/\/www.annemarierognon.com%20\" target=\"_blank\" rel=\"noopener\">www.annemarierognon.com\u00a0<\/a><\/p><p>Artiste plasticienne, vid\u00e9aste.<\/p><p>Anne Marie Rognon pratique la vid\u00e9o, la sculpture, la peinture, trois domaines qu'elle m\u00eale parfois dans un travail d'installation teint\u00e9 d'humour et de franchise. Elle pr\u00e9l\u00e8ve dans la culture populaire et des m\u00e9dias la substance qu'elle cuisine et triture pour nous d\u00e9voiler sa personne, fort \u00e9loign\u00e9e des fant\u00f4mes st\u00e9r\u00e9otyp\u00e9s qui hantent notre paysage visuel et sonore. Ses \u0153uvres sont des monologues, en tension entre ironie et contemplation, qui transforment le banal en magique, le quotidien en po\u00e9tique. Une barri\u00e8re automatique de parking, une nouvelle garde-robe, un homme qui repeint ses volets, une question, un nom de famille, une manie chez les brebis... Dans ses vid\u00e9os, le moindre objet allume la m\u00e8che de la narration et le moindre d\u00e9tail de la vie se pr\u00eate aux commentaires de l'artiste, \u00e0 l'analyse, \u00e0 l'hommage.<\/p><p>\u00ab <em>Anne Marie Rognon manie le d\u00e9risoire avec une placidit\u00e9 impeccable et un humour limpide. Par le biais d'assemblages rudimentaires, une esth\u00e9tique de la miniature et de la pacotille, l'artiste entreprend un travail se d\u00e9pla\u00e7ant entre la peinture, l'installation ainsi que la vid\u00e9o. A l'aide d'un pop de seconde main, de couleurs vives, de contours na\u00effs et flashy, Anne Marie Rognon d\u00e9ploie un imaginaire irr\u00e9sistible alliant simplicit\u00e9 goguenarde et po\u00e9sie exquise. Ses slogans et jeux de mots t\u00e9moignent d'un mauvais esprit ravageur, tout en n'apparaissant cependant que par sous-entendus allusifs ou connotations l\u00e9g\u00e8res. Entre premier degr\u00e9 confondant et clins d\u2019\u0153il rafra\u00eechissants, une des caract\u00e9ristiques de ce travail r\u00e9side en une certaine libert\u00e9 de ton, une \u00e9nergie forte et fragile<\/em> \u00bb Fr\u00e9d\u00e9ric Emprou, 2008.<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Marie ROUSSEAU<\/div><div class=\"answer\"><h4>Marie Rousseau<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-17216 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Marie_Rousseau.png\" alt=\"\" width=\"414\" height=\"275\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Marie_Rousseau.png 414w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Marie_Rousseau-300x199.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Marie_Rousseau-113x75.png 113w\" sizes=\"(max-width:767px) 414px, 414px\" \/><\/p><p><a href=\"http:\/\/www.marie-rousseau.net\">www.marie-rousseau.net<\/a><\/p><p>Un travail \u00ab \u00e0 peu pr\u00e8s m\u00e9canique \u00bb. Un terme ressurgit souvent dans le travail de Marie ; machines de mots, machines c\u00e9libataires, machines savantes \u00e9prises d'inutile, machines utopiques. Pour Marie, il ne s'agit pas de savoir comment elle a pens\u00e9 un outil, mais plut\u00f4t comment elle \u00e0 r\u00eav\u00e9 cet outil : un mouvement de bascule qui invite \u00e0 comprendre, une fois accompli, le dialogue que certains d'eux, qu'ils soient d'hier, aujourd'hui ou de demain entretiennent, ou bien invitent \u00e0 instaurer, au final, une question de \u00ab points de vue \u00bb : et aussi de prises de vues, de captures de regards. Dans certains projets, on voit en effet \u00e9voluer un objet regardant, un oeil-cam\u00e9ra reproduire des mouvements propres au cin\u00e9ma et \u00e0 sa culture au sein d'un roller-coaster loufoque ; la machine \u00e0 composer et \u00e0 d\u00e9composer les films est soumise quand \u00e0 elle \u00e0 un lexique mont\u00e9 et d\u00e9clin\u00e9 en symboles, rappelant la technique de la partition musicale dont Marie nous livre une interpr\u00e9tation qui tient presque de l'obsession du d\u00e9tail et le d\u00e9sir d'\u00e9puiser l\u2019\u0153uvre ainsi d\u00e9compos\u00e9e, de fouiller en elle, comme pour y entrer toujours davantage.<\/p><p>- S\u00e9bastien Quentin<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Mathieu SABATIER<\/div><div class=\"answer\"><h4>Mathieu Sabatier<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18063\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/sabatier-300x175.jpg\" alt=\"\" width=\"300\" height=\"175\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/sabatier-300x175.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/sabatier-128x75.jpg 128w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/sabatier.jpg 464w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><a title=\"www.2t3m63.wix.com\/mathieusabatier\" href=\"http:\/\/www.2t3m63.wix.com\/mathieusabatier\" target=\"_blank\" rel=\"noopener\">www.2t3m63.wix.com\/mathieusabatier<\/a> <a title=\"http:\/\/farleprojet.wixsite.com\/fdca\" href=\"http:\/\/farleprojet.wixsite.com\/fdca\" target=\"_blank\" rel=\"noopener\">http:\/\/farleprojet.wixsite.com\/fdca<\/a>\u00a0<\/p><p>Intervenant vid\u00e9o, artiste num\u00e9rique et \u00ab bidouilleur artisanal \u00bb.<\/p><p>La vid\u00e9o est pour Mathieu Sabatier un vecteur social, un outil pour se rencontrer, pour partager un moment, pour s'affirmer et se sentir n\u00e9cessaire au sein d'un collectif qui fa\u00e7onne sa culture.<\/p><p>Il livre avec g\u00e9n\u00e9rosit\u00e9 toutes ses combines de bricoleur au travers de multiples ateliers vid\u00e9o, en milieu scolaire ou associatif. Ses dispositifs sollicitent les participants dans tout leur \u00eatre. Ses vid\u00e9os inventent chaque fois un nouveau jeu o\u00f9 le corps avec ses gestes, ses mouvements chor\u00e9graphiques, sa trace, est le fil conducteur de l'histoire.<\/p><p>\u00ab <em>Mathieu Sabatier fait ses \u00e9tudes aux Beaux-arts de St-\u00c9tienne dans un premier temps et bifurque ensuite sur un master en m\u00e9diation culturelle de l'art. De l\u00e0 lui vient le go\u00fbt du travail collectif, du partage et du faire ensemble. Il utilise la vid\u00e9o comme outils f\u00e9d\u00e9rateur \u00e0 travers de nombreux projets. Sa pratique est faite d'allers retours permanents entre arts num\u00e9riques et bidouillages artisanaux, travaillant sans cesse sur l'implication du corps, dans la fa\u00e7on de filmer, d'accumuler les images, de construire des dispositifs o\u00f9 la compl\u00e9mentarit\u00e9 entre les individus est la clef de la r\u00e9ussite.<\/em> \u00bb<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Arnaud SIMETIERE<\/div><div class=\"answer\"><h4>Arnaud Simetiere<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18013\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-300x171.jpg\" alt=\"\" width=\"300\" height=\"171\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-300x171.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-1024x584.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-768x438.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-1536x876.jpg 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-132x75.jpg 132w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere-480x274.jpg 480w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/CONSTELLATIONN-2021-Arnaud-Simetiere.jpg 1956w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><a href=\"https:\/\/www.arnaudsimetiere.com\/\" target=\"_blank\" rel=\"noopener\">www.arnaudsimetiere.com<\/a><\/p><p><span data-sheets-formula-bar-text-style=\"font-size:13px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;\">Responsable de Musique pour l\u2019Imaginaire, un atelier d\u2019\u00e9dition et de cr\u00e9ation sonore, j\u2019accompagne des auteur.e.s ind\u00e9pendant.e.s de podcasts natifs, con\u00e7oit des publications sonores et cr\u00e9ations radiophoniques, et propose des ateliers d\u2019initiation au m\u00e9dium sonore et radiophonique. Par ailleurs, je chemine depuis plus de 20 ans dans le champ musical par mon activit\u00e9 de dj et de compositeur, sous les alias Switch Groove et Constellationn. Maitrisant les techniques contemporaines de production musicale, mes compositions s\u2019inscrivent dans un interstice, \u00e0 la lisi\u00e8re de l\u2019acoustique et de l\u2019\u00e9lectronique, dessinant un univers sensible et onirique. Enfin, ayant suivi une formation initiale de g\u00e9ographie, le territoire et l\u2019espace constituent des axes de recherche fondamentaux dans mon travail artistique.<\/span><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Nino SPANU<\/div><div class=\"answer\"><h4>Nino Spanu<\/h4><p><a href=\"https:\/\/lesateliers.eu\/media\/pages\/artistes\/95747b56e4-1702397889\/nino_spanu.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/lesateliers.eu\/media\/pages\/artistes\/95747b56e4-1702397889\/nino_spanu.pdf<\/a><\/p><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-18417 size-medium\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-300x226.jpg\" alt=\"\" width=\"300\" height=\"226\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-300x226.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-1024x771.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-768x578.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-1536x1157.jpg 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-2048x1542.jpg 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-100x75.jpg 100w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-960x720.jpg 960w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/10\/noni-spanu-480x361.jpg 480w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><em>\"Nino Spanu met en oeuvre diff\u00e9rents protocoles de recherche et d\u2019investigation autour des questions d\u2019impermanence, de trace et d\u2019identit\u00e9. La pratique de la reconstitution y joue un r\u00f4le central, en ce qu\u2019elle permet de figurer les rouages r\u00e9glementaires et bureaucratiques qui informent nos existences en tant que sujets administr\u00e9s, tout en posant la question de l\u2019\u00e9criture de la r\u00e9alit\u00e9 comme fiction. La technologie, en tant qu\u2019outil d\u2019appr\u00e9hension et de transcription du vivant, y est \u00e9galement mise en sc\u00e8ne. Elle vient pointer l\u2019absurdit\u00e9 de l\u2019obsolescence informationnelle et l\u2019\u00e9chec perp\u00e9tuel de la tentation humaine d\u2019organiser le r\u00e9el par catalogage ou par taxinomie. De mise en sc\u00e8ne en mise en ab\u00eeme, Nino Spanu produit un intertexte sur les dispositifs dans lesquels nous vivons.\"<\/em> Thomas Conchou.<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Frederic STORUP<\/div><div class=\"answer\"><h4>Fr\u00e9d\u00e9ric Storup<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-17220 size-full\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup.png\" alt=\"\" width=\"414\" height=\"279\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup.png 414w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup-300x202.png 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Frederic_Storup-111x75.png 111w\" sizes=\"(max-width:767px) 414px, 414px\" \/><\/p><p>\u00a0<a href=\"https:\/\/www.esacm.fr\/diplome\/frederic-storup\/\">https:\/\/www.esacm.fr\/diplome\/frederic-storup\/<\/a><\/p><p>Fre\u0301de\u0301ric Storup s\u2019amuse a\u0300 construire des me\u0301canismes et des syste\u0300mes qui parfois s\u2019autode\u0301truisent ou qui ne sont qu\u2019un de\u0301tail d\u2019une re\u0301action en chai\u0302ne plus grande. Il joue avec des phe\u0301nome\u0300nes tangibles et empiriques comme l\u2019e\u0301quilibre, la mare\u0301e, la pousse\u0301e d\u2019Archime\u0300de, etc. De module en module, telles des connexions neuronales, l\u2019information se de\u0301place comme une boule de neige. Ces pie\u0300ces grouillent et e\u0301voluent, se fabriquant un nouveau sens a\u0300 chaque activation en s\u2019inspirant autant de syste\u0300mes me\u0301caniques que du vivant Il invite a\u0300 vivre des expe\u0301riences absurdes, vaines et dro\u0302les dont e\u0301mane l\u2019attention qu\u2019il porte a\u0300 la fabrication de chaques engrenages.<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Am\u00e9lie SOUNALET<\/div><div class=\"answer\"><h4>Am\u00e9lie Sounalet<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-17218 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet.png\" alt=\"\" width=\"216\" height=\"395\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet.png 216w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet-164x300.png 164w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/Amelie_Sounalet-41x75.png 41w\" sizes=\"(max-width:767px) 216px, 216px\" \/><\/p><p><a href=\"https:\/\/sounaletamelie.wixsite.com\/website\">https:\/\/sounaletamelie.wixsite.com\/website<\/a><\/p><p>Le travail d\u2019Am\u00e9lie Sounalet d\u00e9bute par une d\u00e9couverte sensible des lieux qu\u2019elle traverse puis se nourrit d\u2019une approche historique. Se demandant qui en sont les usagers et quel est leur usage, elle y analyse formes, mat\u00e9riaux et objets, en qu\u00eate de pr\u00e9sences et de comportements insens\u00e9s. Elle joue ensuite avec l\u2019ensemble des informations accumul\u00e9es pour proposer des relectures de ces espaces, chacune se greffant au contexte d\u2019exposition. Ici, celui du bord de la Durolle o\u00f9 \u0153uvraient les \u00e9mouleurs avec leurs \u00e9pouses jusqu\u2019\u00e0 six mois de grossesse, et d\u2019un \u00e9tage de l\u2019Usine du May aujourd\u2019hui salle de r\u00e9union \u00e9voquant l\u2019entreprise moderne. Y a germ\u00e9 l\u2019id\u00e9e d\u2019une sculpture de plexiglas adaptant les courbes d\u2019une planche d\u2019\u00e9mouleur \u00e0 celles d\u2019une femme enceinte. Intitul\u00e9e Chrysoprase, pierre \u201cid\u00e9ale pour faciliter un accouchement en douceur\u201d et litt\u00e9ralement \u201cpoireau d\u2019or\u201d, elle renvoie ironiquement aux vertus positives de l\u2019outil de travail ali\u00e9nant comme au phallocrate pr\u00e9tentieux qu\u2019est forc\u00e9ment son promoteur! Anachronique, mais fonctionnelle, comme en atteste une vid\u00e9o de d\u00e9monstration pr\u00e9-commerciale, cette pi\u00e8ce rel\u00e8ve de l\u2019humour noir, de l\u2019engagement politique aussi, par une d\u00e9nonciation de l\u2019outrage fait au corps dans le monde du travail et en particulier \u00e0 celui des femmes. Sa r\u00e9alisation industrielle ainsi que les mouvements m\u00e9caniques et d\u00e9shumanis\u00e9s ou la nudit\u00e9 du personnage de la vid\u00e9o, contribuent \u00e0 la sensation d\u2019effroi.<\/p><p>- Aur\u00e9lie Barnier<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Christophe TARRERIAS<\/div><div class=\"answer\"><h4>Christophe Tarrerias<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18068 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tarrerias.jpg\" alt=\"\" width=\"397\" height=\"223\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tarrerias.jpg 397w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tarrerias-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tarrerias-134x75.jpg 134w\" sizes=\"(max-width:767px) 397px, 397px\" \/><\/p><p><a title=\"http:\/\/www.quandvalseralemonde.com\" href=\"http:\/\/www.quandvalseralemonde.com\" target=\"_blank\" rel=\"noopener\">http:\/\/www.quandvalseralemonde.com<\/a><\/p><p>\"<em>Mon approche contemporaine et exp\u00e9rimentale se dessine plut\u00f4t autour de la vid\u00e9o et de la performance. C\u2019est la rencontre, tr\u00e8s r\u00e9cemment, avec la danse contemporaine qui m\u2019a permis de renouer avec la performance o\u00f9 j\u2019\u00e9prouve un plaisir ultime de traiter le dessin et plus g\u00e9n\u00e9ralement du processus de cr\u00e9ation. <span class=\"st\">[...] Dans un premier temps, la vid\u00e9o m'a servi de tremplin pour aborder l'\u00e9criture, le texte,<br \/>le po\u00e8me, disciplines fragiles depuis mon enfance. J'essaie de d\u00e9voiler une forme de<br \/>beaut\u00e9 qui me touche.<\/span> <span class=\"st\">[...] Par la suite, je me suis mis \u00e0 regarder le monde et \u00e0 capter des fragments pour faire des cr\u00e9ations aux accents l\u00e9gers, lyriques et r\u00eaveurs. Ainsi, je filme, capte ou photographie des situations propices \u00e0 l\u2019\u00e9laboration d'histoires.<\/span> <span class=\"st\">[...] Depuis peu, la performance est venu \u00e0 moi comme une \u00e9vidence.<\/span><\/em> <span class=\"st\"><em>[...] Cr\u00e9er, dessiner devient une performance<\/em>.\"<\/span><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Jeremy TATE<\/div><div class=\"answer\"><h4>J\u00e9r\u00e9my Tate<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-17213 size-large\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-1024x575.jpg\" alt=\"\" width=\"1024\" height=\"575\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-1024x575.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-300x169.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-768x431.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-134x75.jpg 134w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-1200x675.jpg 1200w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7-480x270.jpg 480w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/05\/vlcsnap-2014-11-17-20h53m02s7.jpg 1280w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/><\/p><p><a href=\"https:\/\/www.youtube.com\/channel\/UC8MvCS20P5w2PVZMO1mqAZQ\">https:\/\/www.youtube.com\/channel\/UC8MvCS20P5w2PVZMO1mqAZQ<\/a><\/p><p>Membre de l'association parisienne Braquage, il anime depuis 2014 diff\u00e9rents ateliers de cin\u00e9ma et photographie (illusions d'optique, lanterne magique, dessin et grattage sur pellicule, rayogramme, cyanotypes...). En parall\u00e8le de cette activit\u00e9, il d\u00e9veloppe sous le pseudonyme de jAROD Unofisal une pratique de la vid\u00e9o qui m\u00eale found-footage et cin\u00e9ma structurel. Ses questionnements sur le mat\u00e9riau num\u00e9rique l'ont amen\u00e9 \u00e0 utiliser diverses techniques telle que le datamoshing, la compression de fichier, le databending, la r\u00e9cup\u00e9ration de donn\u00e9es ou encore l'alt\u00e9ration de jeux vid\u00e9o. Nourri aux post de 9gag et autres weirdzone de Youtube, il interroge la notion de spectacle et c\u00e9l\u00e8bre une apocalypse joyeuse avec un nihilisme d\u00e9complex\u00e9 non d\u00e9nu\u00e9 d'humour. Na\u00eff et hautement r\u00e9f\u00e9renc\u00e9, il tente le grand \u00e9cart entre les bas fonds du Gange virtuel et les hautes ambitions du cin\u00e9ma exp\u00e9rimental. En esp\u00e9rant qu'il ne se fasse pas trop mal...<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Nicolas TOURTE<\/div><div class=\"answer\"><h4>Nicolas Tourte<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-18071\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tourte-300x206.jpg\" alt=\"\" width=\"300\" height=\"206\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tourte-300x206.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tourte-109x75.jpg 109w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/tourte.jpg 462w\" sizes=\"(max-width:767px) 300px, 300px\" \/><\/p><p><a title=\"http:\/\/www.nicolastourte.net\/\" href=\"http:\/\/www.nicolastourte.net\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.nicolastourte.net\/\u00a0<\/a><\/p><p>Plasticien, photographe, sculpteur et vid\u00e9aste.<\/p><p>\u00ab <em>Un monde parall\u00e8le et d\u00e9cal\u00e9 o\u00f9 chaque d\u00e9tail compte. Sculpture, installation, dessin, performance, photographie, photomontage et vid\u00e9o sont les m\u00e9diums [que Nicolas Tourte] a choisis pour transfigurer le quotidien. Des mediums auxquels il ajoute une pointe technologique et num\u00e9rique [\u2026] notamment l\u2019utilisation de syst\u00e8mes de projections dans l\u2019espace ou directement sur des objets s\u00e9lectionn\u00e9s. Celles-ci viennent animer des sc\u00e8nes initialement immobiles. [\u2026]. Multiplication, r\u00e9p\u00e9tition, images en boucle, les projections tournent \u00e0 l\u2019hypnose et brouillent notre perception. Les associations sont \u00e0 premi\u00e8re vue simples, efficaces et amusantes. Pourtant, il souligne l\u2019uniformisation de nos paysages, urbains et ruraux, dans laquelle il extirpe des fictions \u00e0 la fois critiques et soucieuses d\u2019une perception alternative de notre environnement visuel.<\/em><\/p><p><em>Nicolas Tourte met en place des dispositifs m\u00ealant humour, illusion et jubilations visuelles. Dans sa r\u00e9flexion plastique et conceptuelle, les objets du quotidien jouent un r\u00f4le moteur. Chaque installation vid\u00e9o est pens\u00e9e en fonction du lieu o\u00f9 elle est pr\u00e9sent\u00e9e au public. [\u2026] L\u2019artiste envisage l\u2019\u0153uvre comme un objet facilement transportable, mall\u00e9able et modulable selon les lieux o\u00f9 il expose. En plus des effets spatiaux et visuels, nous notons l\u2019effort produit par l\u2019artiste pour la cr\u00e9ation des titres de chacune de ses \u0153uvres, de v\u00e9ritables calembours et jeux de mots qui nous guident dans notre lecture des images et des objets. Les titres font partie du processus cr\u00e9atif imagin\u00e9 \u00e0 partir d\u2019une vision singuli\u00e8re et ironique de notre soci\u00e9t\u00e9 o\u00f9 le mat\u00e9riel prime souvent sur l\u2019humain, la pens\u00e9e et les sentiments. Il d\u00e9code avec pertinence notre relation aux objets et met en lumi\u00e8re leur pr\u00e9sence envahissante et \u00e9crasante.<\/em> \u00bb . Julie Crenn (2012)<\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Geoffrey VEYRINES<\/div><div class=\"answer\"><h4>Geoffrey Veyrines<\/h4><p><em>\u00a0<\/em><\/p><\/div><\/div>\n<div class=\"question\" tabindex=\"0\" role=\"button\"><div class=\"title\"><i class=\"icon-plus acc-icon-plus\" aria-hidden=\"true\"><\/i><i class=\"icon-minus acc-icon-minus\" aria-hidden=\"true\"><\/i>Pascale WEBER<\/div><div class=\"answer\"><h4>Pascale Weber<\/h4><p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18073 size-full aligncenter\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/weber.jpg\" alt=\"\" width=\"320\" height=\"240\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/weber.jpg 320w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/weber-300x225.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2024\/09\/weber-100x75.jpg 100w\" sizes=\"(max-width:767px) 320px, 320px\" \/><\/p><p><a href=\"http:\/\/www.pascaleweber.com\/accueil.html\" target=\"_blank\" rel=\"noopener\">http:\/\/www.pascaleweber.com\/accueil.html<\/a><\/p><\/div><\/div>\n<\/div><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Call for artist applications for the 2025-2026 academic year Are you an artist living in Clermont-Ferrand or the surrounding<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Involved artists | VIDEOFORMES<\/title>\n<meta name=\"robots\" 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