{"id":22000,"date":"2025-10-02T14:25:58","date_gmt":"2025-10-02T12:25:58","guid":{"rendered":"https:\/\/videoformes.com\/?p=22000"},"modified":"2025-10-14T16:24:07","modified_gmt":"2025-10-14T14:24:07","slug":"nemo","status":"publish","type":"post","link":"https:\/\/videoformes.com\/en\/hlm-en\/nemo\/","title":{"rendered":"Meeting Philip @ NEMO"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"22000\" class=\"elementor elementor-22000 elementor-21999\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b3ebf06 e-flex e-con-boxed e-con\" data-id=\"b3ebf06\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-28fe3a3 e-flex e-con-boxed e-con\" data-id=\"28fe3a3\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-67a8333 e-con-full e-flex e-con\" data-id=\"67a8333\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-49db5e0 elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"49db5e0\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 20-08-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-1024x768.jpg\" class=\"attachment-large size-large wp-image-22014\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-1024x768.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-300x225.jpg 300w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-768x576.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-1536x1152.jpg 1536w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-2048x1536.jpg 2048w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-100x75.jpg 100w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-960x720.jpg 960w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/Eric-Vernhes_Meeting-philip-scaled-1-480x360.jpg 480w\" sizes=\"(max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b5b50d3 e-con-full e-flex e-con\" data-id=\"b5b50d3\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6d6a032 elementor-widget elementor-widget-heading\" data-id=\"6d6a032\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 20-08-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h4 class=\"elementor-heading-title elementor-size-default\">From October 11, 2025, to January 19, 2026, <i>Meeting Philip<\/i> by \u00c9ric Vernhes will be on display as part of the NEMO biennial.<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-675ee37 elementor-widget elementor-widget-text-editor\" data-id=\"675ee37\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.15.0 - 20-08-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>\u00c9ric Vernhes&#8217; work Meeting Philip (a VIDEOFORMES co-production) will be exhibited at Centquatre as part of the Nemo biennial.<\/p>\n<p><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9f977f1 e-flex e-con-boxed e-con\" data-id=\"9f977f1\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f6838d5 elementor-widget elementor-widget-text-editor\" data-id=\"f6838d5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>\u201cMeeting Philip\u201d is a musical, video, and visual work based on the recording of a lecture given by Philip K. Dick in Metz in 1977.<\/p><p><br \/>During this lecture, Philip K. Dick revealed that one of his favorite themes, the existence of a plurality of parallel worlds, was indeed reality and not fiction. For him, there was no doubt that our world was the product of a computer program whose designer (God, programmer-reprogrammer) episodically changed variables in the past, disrupting the course of our present time and giving rise to other, divergent, uchronic worlds. \u201cDeja-vu\u201d impressions were a direct result of this \u201creprogramming\u201d. He then began to recount his own &#8220;slippages&#8221; from one world to another, claiming that in one of them, he had been assassinated by Richard Nixon&#8217;s administration. In yet another, he had met Aphrodite in a pre-Christian landscape whose description resembled a comic book illustration.<\/p><p><br \/>The public did not follow him down this hallucinatory path, and commentators, out of respect for the writer&#8217;s reputation, cast a veil of modest oblivion over the lecture.<\/p><p><br \/>In \u201cMeeting Philip\u201d, a visual and sound art installation, I don&#8217;t answer the question of the credibility of Philip K. Dick&#8217;s story. Rather, I consider this question to be irrelevant. Confronted with the many facets of Dick&#8217;s personality, his wanderings and his flashes of brilliance, I take the side of the writer against the self-proclaimed prophet. In the end, the latter (who has never convinced anyone) is merely the tool of the former (who is recognized as brilliant).<\/p><p>So I&#8217;m giving space to the one who wants to captivate, and forsaking the one who wants to convince.<\/p><p><br \/>Through editing and selection, the text is transformed into an opera libretto. It is thus freed from the constraints of pseudo-scientific coherence and placed at the service of a dazzling narrative machine. The key elements of his narrative are used without distorting them: the affirmation of the plurality of parallel universes and the account of his own experiences of &#8220;passing&#8221; from one world to another. On the other hand, the demonstrative arguments that give rise to incredulity and doubt are left out or just touched upon.<\/p><p><br \/>Through music, light, image and wind, the \u201cMeeting Philip\u201d installation gives Dick&#8217;s text the epic dimension it deserves, adding the &#8220;Hugolian&#8221; touch &#8211; the touch of inspiration &#8211; where it was lacking.<\/p><p><br \/>Objects play a key role in Philip K. Dick&#8217;s work. Not only do they attest to the existence of a plurality of parallel worlds, but they also serve as tools of transition between these different worlds. The tape recorder at the center of the \u201cmeeting Philip\u201d installation is one of these \u201cspecial\u201d objects. Contemporary to Philip K. Dick, it refers to the raw material of the music: a conference recording made on a similar device. But more than that, it serves as a medium for the novelist&#8217;s voice, speaking to us from a parallel temporal world (the first words are &#8220;I&#8217;m not there anymore, I&#8217;m not sure I ever was&#8230;). By proxy, he personifies the speaker in our present time.<\/p><p>\u00a0<\/p><p>The totemic form refers as much to the speaker&#8217;s claims (\u201cNow I must speak like a prophet&#8230;\u201d) as to the stature acquired by the writer in the years following the lecture: that of an essential inspiration of modern science fiction.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9945207 e-flex e-con-boxed e-con\" data-id=\"9945207\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-3f0652c e-con-full e-flex e-con\" data-id=\"3f0652c\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3a71f89 elementor-widget elementor-widget-heading\" data-id=\"3a71f89\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">The artist:<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9bfaf30 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"9bfaf30\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Eric Vernhes creates installations and displays with an intrinsic movement that matches that of the viewer&#8217;s conscience.<\/p><p>\u00a0<\/p><p>Before all else, and in the absence of any demonstration of the existence of the soul, the spectator is a body, at a precise moment, in a given place, immersed in the contemplation of his or her own imagination, which is projected into the work. A digression opens up in the incessant movement that propels it towards its finitude. This is an intrinsically, specifically human experience: the artistic experience.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-553b11e e-con-full e-flex e-con\" data-id=\"553b11e\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4185c34 elementor-widget elementor-widget-image\" data-id=\"4185c34\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"768\" height=\"1152\" src=\"https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-768x1152.jpg\" class=\"attachment-medium_large size-medium_large wp-image-22009\" alt=\"\" srcset=\"https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-768x1152.jpg 768w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-200x300.jpg 200w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-683x1024.jpg 683w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-1024x1536.jpg 1024w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-1366x2048.jpg 1366w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-50x75.jpg 50w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-480x720.jpg 480w, https:\/\/videoformes.com\/wp-content\/uploads\/2025\/10\/MG_0107-Modifier-copie-sel-scaled.jpg 1707w\" sizes=\"(max-width:767px) 480px, (max-width:768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4771289 e-flex e-con-boxed e-con\" data-id=\"4771289\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c615227 elementor-widget elementor-widget-text-editor\" data-id=\"c615227\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h5>Credits:\u00a0<\/h5><p>Music \/ installation \/ video \/ programming &#8211; ERIC VERNHES 2024<br \/>Co-production Eric Vernhes \/ Vid\u00e9oformes<br \/>Sound excerpts from Philip K. Dick, Metz conference; \u00a9 CNRS, 1977<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Meeting Philip by \u00c9ric Vernhes (a VIDEOFORMES co-production) is on display as part of the NEMO biennial.<\/p>\n","protected":false},"author":7,"featured_media":22003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Meeting Philip @ NEMO | VIDEOFORMES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videoformes.com\/en\/news-homepage\/nemo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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