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CATALOGUE VIDEOFORMES 2024
TURBULENCES VIDÉO #123 | DIGITAL & HYBRID ARTS
revue trimestrielle/quarterly magazine – avril 2024
Version française
L’art vient du vivant…
…et il retourne forcément dans ces temps troubles que traverse l’humanité en questionnant notre rapport à notre écosystème, à la nature et à l’autre. Conflits et comportements mortifères génèrent méfiance et anxiété tout comme les innovations technologiques dont certains doutent qu’elles apportent des solutions.
C’est donc l’humanité qu’il faut sauver en premier lieu plutôt que la planète. VIDEOFORMES, manifestation annuelle est le miroir de ces états et l’on découvre au fil des œuvres différentes typologies de nos rapports à la nature, paysages revisités, imaginés ou dystopiques, physiques, géologiques ou mentaux, un miroir où se percevoir.
Edito par Gabriel SOUCHEYRE
English version
Art comes from the living…
…and it is bound to return to it in these troubled times that humanity is going through by questioning our relationship with our ecosystem, with nature and with each other. Conflicts and deadly behaviour generate mistrust and anxiety, as do technological innovations that some doubt will provide solutions.
So it’s humanity that needs to be saved first and foremost, rather than the planet. VIDEOFORMES, an annual event, is a mirror of these states of mind, and in the course of the works we discover different typologies of our relationship with nature, landscapes revisited, imagined or dystopian, physical, geological or mental, a mirror in which to perceive ourselves.
…and it is bound to return to it in these troubled times that humanity is going through by questioning our relationship with our ecosystem, with nature and with each other. Conflicts and deadly behaviour generate mistrust and anxiety, as do technological innovations that some doubt will provide solutions.
So it’s humanity that needs to be saved first and foremost, rather than the planet. VIDEOFORMES, an annual event, is a mirror of these states of mind, and in the course of the works we discover different typologies of our relationship with nature, landscapes revisited, imagined or dystopian, physical, geological or mental, a mirror in which to perceive ourselves.
Editorial by Gabriel Soucheyre